GENE MCBRIDE -- Chaja's Consolation for soprano and piano (to be performed live by
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GENE MCBRIDE -- Chaja's Consolation for soprano and piano (to be performed live by
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Please note that this Salon will be quite special in featuring five
works performed live.
May 18th Salon
at the Ellington Room, 2:00 p.m.
Program
1. Discussion of Organizational Matters and Reports
2. Audio-Visual Presentation
Member Composer Martin Halpern will be presenting a DVD of his
recently produced chamber opera The Damned Thing. He will also be
sharing with us his thoughts on the work.
3. Audition of Members' Works
Gene McBride -- Chaja's Consolation for soprano and piano
(to be performed live by Demetra Adams and Gene McBride) it is the
first vocal of an opera work in progress 3 minutes
Gene McBride -- Sentient Memories for solo piano
(to be performed live by Gene McBride) 3 minutes
Christopher Montgomery -- Two Cities for chamber orchestra, 12:28
minutes
Joseph Pehrson -- Quixoddities for bassoon and piccolo
(which was recently premiered in St. Petersburg, Russia) 9 minutes
Don Hagar -- Skeleton Earth for voice and piano
(to be performed live by Tamara Cashour and Cesar Vuksic) 2 minutes
Tamara Cashour -- Six Lyrics of Marilyn Hacker for Mezzo Soprano,
guest Soprano, Flute,
English horn, Guitar, and Piano (MIDI version of work) 15 minutes
4. Audition of Guest's Works (time permitting)
Cory Daniel Fields -- (two live performances of works by this guest may be presented, time permitting)
Duet for Horn and Viola with hornist Katherine Smith and Violist Jen
Herman. 5 mins
Three Rustic Scenes (2nd mov't) with violinist David Bousso and
pianist Jason Wirth. 5 mins
5. Conclusion and Refreshments
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GENE MCBRIDE is stage managing the following production, and wants to pass it along to In The Loop readers. He reports last Sunday's performance was excellent and strongly recommends the program.
Yom Hashoah |Holocaust Remembrance Program
Waltz for a Shattered World (1990) | Wednesday May 7 @ 8 pm
Sasha Spielvogel's Labyrinth Dance Theater
"Avishai Ya'ar," Composer: David Majzlin Orchestrator
Downtown Chamber Players conducted by Mimi Stern-Wolfe
Michael Cohen: From The Wall (N.Y. Premiere)
Roz Woll, mezzo–soprano; & the Downtown Chamber Trio
Leo Smit (1900-1944): Sextet for winds and piano; Dutch-Jewish composer who perished in Sobibor.
John Williams: Theme from "Schindler's List" for Violin with piano, Galina Heifetz, violin
Suggested Donation $10-$20
info: dmpmimi@msn.com or 212 477 1594
Downtown Music Productions, Mimi Stern-Wolfe, artistic director
East Village Concert Series |St Marks in the Bowery 10th street (near 2nd Ave.)
Downtown Chamber Players: Andrew Bolotowsky, flute; David Hopkins, clarinet; Jeffrey
Hale, oboe; Atsuko Sato, bassoon; Joseph Trent, flute; Daniel Barrett, cello; Rachel Golub,
violin; Elizabeth Rodgers, piano; Sam Lazzara, percussion; Mimi Stern-Wolfe, conductor
______________________
DON HAGAR is producing the following concert and can offer a $5 admission charge to NYCC Members. And hey, he has a piece scheduled on the program, as well! Here's the press release...
Boston's newest contemporary chamber group Xanthos Ensemble brings a riveting program of chamber works to New York, presenting a concert at St. Mark's Church in-the-Bowery on Saturday, May 24, 2008 at 2:00 p.m. Tickets will be available at the door for $15 (students and seniors $10).
Xanthos Ensemble, currently Ensemble in Residence at The Boston Conservatory, will perform a program to include Charles Wuorinen's New York Notes, Pierre Boulez's Dérive, and Mario Davidovsky's Flashbacks, and world premiere of Three Nature Songs by Ohio native Daniel Knaggs, student of Bright Sheng. Also included on the program will be works by Brooklyn resident DONALD HAGAR and Canadian composer and flutist Derek Charke.
The seven core members of the Xanthos Ensemble will be joined by special guests, Jeffrey Means, conductor, Chi-Ju Juliet Lai, clarinet, and Leo Eguchi, cello. Currently in its third year of performing, the ensemble has championed the works of American composers and premiered dozens of pieces. This appearance marks the Xanthos Ensemble's second New York City performance,with the first being at St. Marks Church during the 2006-2007, in collaboration with the Boston-based Composers in Red Sneakers. The Xanthos Ensemble is dedicated to the promotion of contemporary chamber music, through the exposure of new music repertoire to new audiences in the Boston area, throughout the country, and abroad. Its mission has grown from the belief that the inspiration and knowledge of contemporary music in the community at large will increase the awareness and educational benefits of new music for our musical
culture, and for our society as a whole.
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A LETTER FROM OUR EXECUTIVE DIRECTOR:
Dear Members,
It is with a sense of pleasure and deep satisfaction that I want to share with you who our newest Honorary Member is, and at the same time I want express my appreciation for all of you who have in various ways contributed so much to making the New York Composers Circle what it has now become and will become in the new music community now and in years to come.
By your contribution of efforts, talents and works, you have made it possible to create a new home for new music that can welcome the world-class reputations of our current honored roster of Honorary Members: Tania León, Ezra Laderman, John Eaton, Paul Moravec, Dinu Ghezzo, and now, perhaps this country's most celebrated and esteemed creator and steadfast champion of new music, Elliott Carter.
This year, on December 11th, Mr. Carter, and many of us here and around the world, will be celebrating his centennial anniversary as the most senior and singular artistic and productive force in new music still with us today. In an amazingly productive career spanning most of the 20th century and the beginning of this 21st century, his extraordinary output of marvelously opulent and complex landmark works has expanded the boundaries of what new music can successfully express and deliver in our most complicated and challenging times.
In his honor and in special recognition of this "landmark" year in his creative life, the NYCC will be featuring one of Mr. Carter's chamber works at our first inaugural concert of the 2008-2009 concert season that will also take place in early December.
I'm confident that I speak for all of us at the NYCC in extending our most heartfelt welcome to Elliott Carter as our newest Honorary Member.
John de Clef Piñeiro
NYCC Executive Director
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ROGER BLANC will present a lecture next week, "Music Preparation: Life in the Trenches" under the auspices of the Manhattan Producers
Alliance. In this three hour discussion, Roger will discuss his
experiences handling music preparation for major motion pictures, A-
list recording artists, late-night television shows and jingles.
Specific topics will include advice relating to workflow tracking,
client communications, and analysis of recorded music for purposes of
notational presentation (along with the occasional war story).
Time: Tuesday, April 22nd, 6:30-9:30pm
Location: Manhattan Producers Alliance
Space is still available!
Registration closes on 04/21/2008.
$75.00
The Manhattan Producers Alliance is located at:
13 West 36th Street, Suite 800 (buzzer #8)
New York, NY 10018
(212) 465-8540
To register go to:
http://www.manhattanproducersalliance.com/index.php?s=education&p=seminar_info&id=14
_______________
JOSEPH PEHRSON sends the following press release about the next
Composers Concordance concert: On Friday, May 2, 2008 at 8PM at the
Greenwich House Music School, 46 Barrow Street in New York City, the
Composers Concordance springs into action with a varied concert that
celebrates the natural world, and a bit of the supernatural. John
Adams, Hallelujah Junction for two pianos is a work inspired by the
name of a truck stop on Highway 49 at the California-Nevada border.
Intricate rhythms proclaim this joyous and funky location. The work
will be performed by Judith Olson and Paul Hoffmann on pianos.
Another natural scene is depicted by Robert Martin in his Across the
Open Land from his duo instrumental collection, Watercolors. Erin
Lesser, flute and Victoria Paterson, violin, will speak this interplay.
Real singing and speaking will be heard from Jody Redhage, celebrated
for her ability to sing while playing cello in her performances and
who asks composers to write specifically for cello with voice. She
will be singing and playing Ted Hearne's Warning Song.
We go from the natural to the dramatic with Masks for solo flute by
Oliver Knussen, as performed by the virtuouso performer and new music
champion Erin Lesser. Through three different stage positions,
Knussen shows the many faces of new music in a miniature mono-drama.
The speaking theme continues with poetry recitation in Anton Rovner's
Evening Bent the Branches for voice and piano: 9 poetry recitations
by Linda Past with piano by Nataliya Medvedovskaya.
We swing into spring with the premiere of a new piece by Patrick
Hardish, Solo for Pete, written for percussionist Peter Jarvis, who
will be playing drum set. In this piece there is some influence from
the solos of jazz greats Buddy Rich and Louie Bellson.
Even more percussion is in store with a performance by composer Robert
Paterson of his own composition for marimba, Piranha. Paterson has
perfected the astonishing technique of six-mallet marimba playing,
which will be shown in this work. His wife, the distinguished
violinist Victoria Paterson, will join him in a second piece, Braids,
for violin and marimba for a true matrimony of sounds.
Tickets are $12, $10 Students/seniors, A reception will follow the
concert. We look forward to seeing you there!
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NOAH HAVERKAMP-FRERE is joining the Brooklyn Emerging Artists at NY Citi Theatre and Media at 1462 Southern Boulevard in the Bronx on April 26 for a new music concert (there may be a little rock-and-roll thrown in as well). Noah will have one or two compositions performed, and will improvise at the piano as well. The Brooklyn Emerging Artists group is a group of, well, emerging artists living in Brookln! The festivities get underway at 7pm.
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